Procrastinate Later

Something is going on today, some sticky chi is getting moved, is it the the extra coffee I had? I’ve opened Pandora’s box and in it is 74 undeveloped black and white films I have never got around to seeing what is on them. Years of hard work not wasted, hopefully. I finally feel the urge to get around to dealing with my neglected art.

There was that 5 year stint in the media that made me only live for the day and have the time to shoot/develop/upload the work I’d done that day. There was never enough time to go back and organise or rework the previous year’s efforts. There was only this rushing wave of ambition that headed in one direction - the future. Then there was the 7 year stint of full-time parenthood/part-time photographer. I could hardly string 10 full minutes together to gather my thoughts let alone create anything that took more than one fifteenth of a second.

Now the youngest child is at pre-school, I have three days a week to myself. I’ve had naps, watched ‘Cougar Town’, made elaborate salads, jogged with girlfriends, taken yoga classes, shopped, vacuumed, Facebooked, done laundry and sloughed my late thirties feet. But lately I have this hankering to actually do something about that nagging feeling called ‘my lost career’. It wasn’t really lost, it was just on the pause button.

There is a box of black and white film that dates back to 1991 that has been following me - it documents all the awful relationships I had, all the exotic places I went and now dream about, all the films I just couldn’t find the time to develop in my makeshift darkrooms in the bathrooms of Surry Hills or freezing laundry of Clovelly in the nineties, when I was holding down a day job and night school and shooting my heart out in between.

I’ve looked online and found my old favourite labs still open (surprisingly after the slaughterhouse of the Day of the Digital Camera) and I’ve got tomorrow pegged as lab drop-off and begin the process of exposing these little windows into my history.

I’m starting off cheap and cheerful by the seaside with Charing Cross Photo in Bronte at $6 a roll. But what I’d really prefer is the Blanco Negro hand job experience with a happy ending for $13.75 a roll

Visibility Poor

I learnt a lot this week, I am amazed by the power of the internet, the speed with which so many locals responded and recorded the Sydney Dust Storm, the truth that rang loud with so many different photographers coming up with the same 'red' that couldn't possibly be faked by touch ups. But mostly, for me, not only just following 'the call' to get in my car, badly dressed and GO (I ended up walking over the Sydney Harbour Bridge), but after seeing thousands of images from all sorts of photographers, both amateur and professional, the STAY came loud and clear at last, stay where you are too, and see the beauty in that, be here now, love your life, love the light in your life, it doesn't need the Opera House or the bridge, it just needs love. I thought later that night 'oh my god, I should have gone to the swamp', my favourite place in the last year. How I wish I could have photographed that. So I shall file this little piece of self-earned knowledge away for the next time.

Do you know what? I asked the universe for this. Remember the copper skies of around 2002 from bushfires. I was tiring of photography, as you do, and I just couldn't be bothered to take many photos, even though I could really appreciate the beauty of the red light from the haze, I never took advantage of it. The day before this dust storm I lamented that and told the skies I wouldn't miss that opportunity ever again. Instant rewards. This photo is out the front of my house in the first minute after my family woke up and realised what was happening, after the three year old alerted us loudly to the fact the sky was orange and creeping around the edges of the venetian blinds like an alien light source. They have never seen me leap so fast out of bed. Those rubbish bins are in order L-R yellow, blue, red and green. I thought it was a good measure of how crazy the light was that you could hardly distinguish their true colours. After this shot I grabbed my car keys and just started driving, initially heading to our local bridge which has a fine view of the city, but visibility was so poor you couldn't see more than 100-200m so I kept following the city traffic and had this 'call' to walk over the Harbour Bridge. By the time I made it there and a few stop offs on the way to snap, they intensity of the red light had faded, so this shot here was the most red, and captures my daughter's fear, she went inside after this and started putting lots and lots of clothes on, too many, leggings, winter jackets, as if to protect herself. It was like waking up in a disturbing dream.

Random Acts of Weirdness

This entry is just a really bad effort to get back to blogging, I've been distracted lately by FlickR, Facebook and my new webpage, y'know how it goes, but all this time I've been busy I've still been driving around town in my beloved VW and enjoying being tall on the road (as opposed to short in life).

Except when I walked to the pizza shop, I spotted this really cool car that I'm thinking when the VW finally goes to Kombie heaven, I want one like it, it'll be my early mid-life crises car, definately something like a Charger, with a tiny back seat that has no room for baby seats.

Other than the usual photographing of spiders and children I had a 'Steve Irwin sighting'....is he really dead. Or is he adventure sporting with Elvis. Till I find the definative answer, all I have is this fuzzy shot taken recently.

Finally, you never know when you number is up so I have a luckly $8 to give away via Kombie Kash which should bring a tear to any VW (pre-1972) lover's eye.  Come to think of it, I have been watching a lot of 'My Name is Earl' DVD box set, perhaps there is a link between all these random acts of weirdness.

Cockatoo Island

I was photographing some bullshit stiletto race in the Quay which stank of money and corporate sponsorship, not to mention downright demeaning to women, so I made a gettaway via ferry which dropped by Cockatoo Island, a little re-discovered abandoned patch on the Parramatta River. They used to build big ships there back in the days of black and white. The baby had finally fallen asleep on my chest from the swell of the ferry casting him about, I took my chance, took my leave and pushed the stroller ashore. I need some yin to the yang of 245 women running in high heels.

I found myself sucked into a 200m long sandstone tunnel to get some shade. It was eerie, speakers played creepy music as you walked under the wooden pillars that supported the low roof of 'Dog Leg Tunnel', cause it had a big bend in the middle I guessed. Finally we popped out the end into that Spring sun that's taking some getting used to, and found myself wondering what to do next.

This was a Biennale of Sydney location showcasing artworks from around the globe, but the backdrop stole the show. It was like the abandoned mine in 'Thomas the Tank Engine'. It was the perfect place for Scooby Doo Mystery Mayhem, it reeked of an olde worlde forgotten time. Huge factory shells dripping with industrial leftovers. Mega machines lay dusty and rusty.

I'm always amazed by the big scale of men

and their ways, how they build things, shift enormous chunks of machinery around the globe, whether it be a ship or a bridge or a building, they seem unafraid of scale. Why, women get to give birth, that's pretty amazing too.

The more I walk around this decrepit island, the mood starts to infiltrate me, the privacy and dusty corners are filled with floating particles of light that dance and take me to a lost quiet. The stiletto race washes away and I'm thinking about form and light for a change, not celebrity and exclusives, nor cheesy Opera House backdrops and whether some girl is sexy enough to sell a shot.

Why do people do anything?

Why do I toil at all, when I anything I look back on that once gave me pride, I don't feel any connection to it like I do at the moment of execution of creation, it's the doing that counts, not the memory. I get riled looking at old family photos because they are essentially useless, they only stir up muddy emotions, blow a wistful air in my ear, brag of a time that has passed. Why do I even take photos at all?

Mmmmmm, I start to think, this would make a terrific location for a shoot.....shove a pretty woman in front of this stuff and print the cash. Then suddenly there are other photographers next to me, with more expensive large format cameras, like a reoccuring nightmare, they've even bought their cute girlfriend. I breath and force myself to focus on focal points.

And tonal ranges, shadows, blacks, colour temperatures.....

I see a sign that says 'no photography', oops. I presume they mean of the artworks, which I've neglected to actually notice most of, so I try a little harder. It makes me think about the artists, and their current mood, or maybe their mood next week when the Biennale is over and it's all just a dream. All this hard work, just a dream. I think, did he have fun making that sculpture of a crocodile out of what are they.... rooftop capsules????

Somebody made this, they took lots of time to specially write out all the different measurements, to file something that made something, that made something.....and so on it goes, like ants in the nest, we are but put on this earth to roll little balls of dirt about because that is what we do. The rain can wash it away at any time, but it's that drive to do that we follow till the heart stops.

Why does the light of an open doorway appeal to me, why is it my job to notice it? I start to think that I'm ready for my old career back, the last baby is a boy now, but this boy starts to stir in his stroller and upon wakening fully throws himself onto the concrete and wham, I'm back in the day job, fully. But whilst he dreamt that 45 minutes away, so did I. 

Don't Mess with the Don

I'm having 'blog wishes' come true. After my previous whinging about having no mobile phone I now possess a sexy white iphone with $500 per month credit...and after moaning about having no career, I did two freelance jobs this week. As it's never come up before I may as well mention I am what is formerly known as a paparazzi, but now that word is too loaded with lawsuits and manslaughter charges, I just prefer photographer.

Today it was actress Eva Mendes, a Cuban hottie who flew all the way around the world to squeeze her little brown self into my camera lens. I am a sucker for a pretty lady and a gift bag. After two kids and low income I now cram as many freebies in with my camera gear whereas in my previous life B.C. (before children) I must have had so much disposable income I just sneered at the promotional perfume or italian water being past around.

So I turn up early to get a good spot, and lo - there's one right in the middle waiting just for little old me! I am technically the shortest photographer in Sydney so I go well in the middle of a media scrum, it's great to double park behind me and shoot over my head, as long as you don't try and use me to balance on like a tripod, I won't accidently step on your foot.

So this bloke I've never seen (fair to say I've been on/off 5 years maternity leave mate) pipes up and says,

"that's Don's spot"

I'm like who-the-fuck-is-Don? "Well where's Don now?"

"He's gone out for a sec but when he comes back he's not going to be real happy"

I'm thinking who IS this Don that's got fatboy really scared.

I said "well he's not here now so it doesn't matter, he'll find another spot"

and fatboy is shaking his head at me like I've just sworn against the mafia. I know I've been a casual drop in since I left the scene to have babies, but this guy doesn't realise that time and space has only made me stronger, why all that time at home I have been wrestling for tiny increments of my own personal elbow room, Lord I finally got the cot out of the bedroom last week and have a child-free nighttime for the first time since the original conception.

"What are you, his bodyguard?" I said "Don knows the rules mate, yer leave a bag or something" I reminded him of statute 21 of celebrity photographer's code. "Possession is ninth-tenths of the law".

He hissed through his teeth like now I'm really gonna get it. "Don't blame me when he get's back and he wants his spot back"

"Don't worry I'll sort Don out" I said, thinking Don is nothing compared to a tantruming two year old.

"Oh there's Don over there" he says, relieved and his shoulders unscrunch.

"Oh what, Don's got two spots going?" I say and overlook fatboy to say hello my oldest colleague behind him - the only one with manners and kids.

I leave early because the fatboy on my right and the photographer on my left started the squeeze on me, but I already got the shot they missed, I decided to get home early and wire it out first. Now I'm sitting here smelling like a tart's armpit and wondering what else I can ask the blog fairy for......